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  • Peter Paszkiewicz

 

He grew up in Soviet art and Russian realistic school. He was her creation, and share its values. Today, when you look at his paintings, drawings, posters, landscapes, going back to the traditions claiming the beauty and calm, clear view of the world!

Peter Isidorovich Paszkiewicz

(1918-1996)

1918 – born in Leningrad

1933-1935 – Artist Railway Club, Art. Shakhun’ya, Gorky Railway

1935-1939 – student of the Moscow School of Art 1905

1939-1943 – student of the art department of All-Union State Institute of Cinematography.

1943-1996 – production designer at Central Film Studio for Children and Youth Films named. Gorky

1957-1996 – Professor of the Faculty of Arts Institute of Cinematography

 1952 – Laureate of the State Prize of the USSR (for participation in the creation of the painting “Donetsk miners”)

1965 – Honored Artist of the RSFSR

1971 – Laureate of the State Prize of the RSFSR. Vasiliev brothers (for participation in the creation of the film “Crime and Punishment”)

1974 – People’s Artist of the RSFSR

Filmography

1944 Duel (Director Vladimir Legoshin)

1947 Rural teacher (director Mark Donskoy)

1949 Goes Off to the mountains (director Mark Donskoy)

1950 Donetsk Shakhtar (Director Leonid bows)

1953 Lights on the River (Director Leonid bows)

1953 Barbara. The scenes in the county seat (teleplay)

1954 This should not be forgotten (Director Leonid bows)

1955 to the new bank (Director Leonid bows)

1956 Different Destiny (Director Leonid bows)

For the power of the Soviets in 1956 (directed by Boris Buneev)

1958 Volunteers (Director Yuri Egorov)

1959 Foma Gordeev (director Mark Donskoy)

1960 Leon Garros looking for a friend (director Marcel Paliero)

1961 The Two Lives (Director Leonid bows)

1962 Hello, children! (Directed by Mark Donskoy)

1964 aunt with violets (short)

1964 Believe me, people (director Vladimir Berenstein, Ilya Gurin, Leonid Lukov)

1965 Hero of Our Time (Director Stanislav Rostotsky)

1966 Bala (Director Stanislav Rostotsky)

1966 Little Fugitive (Director Eduard Bocharov)

1968 Spring on the Oder (Director Leon Saakov)

1969 Crime and Punishment (Director Leo Kulidzhanov)

1971 Hold on to the cloud (directed by Boris Grigoriev, Peter Sass)

1972 Stove-shops (Director Vasily Shukshin)

1972 Love Rights (director Sergei Gerasimov)

1973 Beyond the Clouds – Sky (Director Yuri Egorov)

1974 Mothers and Daughters (director Sergei Gerasimov)

1974 Aniskin and Fantomas (Directors Mikhail Zharov, Vitaly Ivanov, Vladimir Rapoport)

1975 Rikki-Tikki-Tavi (director Alexander Zguridi Nana Kldiashvili)

1975 Citizens (Director Vladimir Horn)

1976 Red and Black (Directed by Sergei Gerasimov)

1980 Karl Marx. Younger years. (Directed by Leo Kulidzhanov)

1982 What can Kuzenkova? (Film almanac) (director Boris Galkin, Lyrchikov Nicholas, Nicholas Skuybin)

1984 TASS is authorized to declare … (Directed by Vladimir Fokin)

1985 Coordinates of Death (Director Samvel Gasparov Nguyen Xuan Tian)

1987 Purple Ball (Director Pavel Arsenov)

1990 Goal in the Spassky Gate (Director Pavel Lyubimov)

1992 Wanted felon (Director George Gahokiya)

1998 At Daggers Drawn (Directed by Alexander Orlov)

Main dream of all creative life Vasily Shukshin was to make a film about Stepan Razin. “I have come to give you freedom” – the so-called script, which he has repeatedly appealed to the leadership of the Gorky Studios, and later studio “Mosfilm”, with a proposal to run the script to production.

In 1967 Vasily Shukshin with the artist Peter Pashkevich riding on the Volga city, choose nature for future film of Stepan Razin. They found a lot of interesting historical sites, Astrakhan and the Volga was the last city on their way. There, they had to find a place for location filming troops of Stepan Razin and scenes capture the besieged city. But those plans did not materialize, because at this time in Astrakhan outbreak of cholera. Peter Paszkiewicz got to the hospital on suspicion of a terrible diagnosis. And Vasily Shukshin was quarantined at the hotel, cut off from the world. For a whole month they were unable to find family and friends, because then the news of the outbreak of cholera suppressed. Six weeks later Shukshin and Pashkevich returned to Moscow, but the studio to them. Gorky by the time the project closed.

All that remained of this film about the failed Stepan Razin – it sketches Peter Pashkevich scenario Vasily Shukshin “I come to give you freedom” and memoirs of contemporaries.

Anatoly Zabolotski “In life and on the screen,” notes cameraman. 1999

“We drove around Astrakhan, she came to shoot the distant past, affecting not so much dirt as doomed. Was afraid to raise the camera … Even self-censorship, fear was, of Yango-aul especially. Do not neglect, and waiting for the end.

All we had to go to the delta of the river and on the shore of one of the branches of noodle. In the morning the boat on time does not appear. Soon the local radio quarantined indefinitely in connection with cases of cholera. Often ambulances with sirens. On the houses began to appear pasted flyers with a skull, a red stripe down the inscription: “Do not enter. Cholera. ” Thinned out in the streets of pedestrians, there was more military. Only the heat was unchanged. They rushed to the airport – closed. And no information. Long distance phone does not work.

These days every occurred to you but to the entire abdomen zaneduzhil our artist Peter Paszkiewicz, was taken to the detention center, and I was with him in the room settled by the laws – pin, and I have to ring out. Fortunately for me, it was not me in the emergence of doctors in the room, the attendant said, “One, he was living in the room.” By the end of the week we found the location Pashkevich. He tossed in the prison, they saw us from afar. Access to the insulator guarded by soldiers and police.

Oppressive heat, even at night at 30 degrees. Chlorinated water to the limit, all the dishes were white. Reception of telegrams recommended: “The delayed at work, send money. Alive. Healthy. ” Any deviation priemschitsa strikes out before your eyes. After a month and nine days, having uncomfortable procedure week prison, camp organized by the Pedagogical Institute in the housing humiliating medical supervision at disinfected carpet we entered the bus that brought our group to the plane, next to Moscow “

 Paola Volkova, critic, director of the Andrei Tarkovsky

 Peter Isidorovich all, including me, called “Peter.” There was no familiarity, as it was not in the behavior of those years, and could not be, in particular P. Pashkevich, a man of style and impeccable taste. The appeal has been named general good attitude and kindness. After all, not go up and tell him what he is always a pleasure to meet him. Fewer and fewer and fewer people that can unequivocally say, intelligent person. Even if the talented, educated, good family, with a claim to this feature – all the same “intelligence” – a rare property of the individual. Peter Isidorovich – the embodiment of intelligence, which is always first and foremost in their actions and behavior consonant with the human values.

He never raised his voice, and not rude, he never talked about himself and the children, he never spoke stilted inspirational words and did not speak at the meetings. He never cursed, but perfectly fine and joking, and I can not imagine that anyone could P. Pashkevich fail or betray.

He created posters, building sets, studied painting and was harmonious person. But forget all the writers, painters, musicians. To live – they should remember. Double happy was Peter Isidorovich: he has children who love him and remember. They understand the importance of creativity of their father Peter Pashkevich for all of us and those who follow us.

Москва, ул. Покровка, д. 3/7, стр. 1. схема проезда Тел.: +7 (965) 395-64-74 © 2010